An interview with Katrina

By glamsham

Bollywood Trade News Network
Tell us about your role in the film?
I am the only person in the entire gang who is a non - Punjabi character in SINGH IS KINNG. Sonia, my character's name is unlike the other characters played by me till now...In fact she is very unlike me, she is very enthusiastic, spontaneous and an impulsive person. She doesn't think before she speaks, is it a right time, right situation. Doesn't matter to her... She is full of life. Sonia is equal to bountiful energy.
Why did you take up this film?
Honestly I did not think at all before taking up SINGH IS KINNG... Vipul my producer had given me NAMASTEY LONDON, which is very special to my career and me... When he approached me with the role of Sonia, I agreed to it immediately...even if he had asked to play a tree in the film I would have gone ahead with it (laughs). There is an emotional bond I share with him. Moreover, I'm working with people who are known to me. I have worked with Vipul, Aneez ji and Akshay before. So that is a huge comfort level for me... I have just recently done WELCOME with Anees Bazmi, NAMASTEY LONDON and WELCOME with Akshay Kumar...
So you ready to give another huge hit?
Well, I hope so... my fingers are crossed. We all have worked very hard of this film like the way we do for all the films. The constant feedback we have got is that the film is looking great... In fact I saw the movie two days back, and called Aneez ji right away that he had made a great film. I loved it. I must say this is Akshay's movie. He has done a phenomenal job.

After WELCOME, how was it working with Aneez ji again?
I must say he is a commercially sound director. He knows it very well what the audience will like. I feel lucky to work with him again. It was wonderful.
Your chemistry with Akshay Kumar is being talked a lot about. You have given big hits together and being appreciated a lot. What is the reason behind this great chemistry?
Well I can say we both are very good actors (laughs)... We have had two huge hits behind us - NAMASTEY LONDON and WELCOME... so everyone has been offering some very good scripts. Basically we both have been very lucky to get opportunities where we can bring out our best. It is that we both were offered such roles that would be liked by the audience.
So do you plan to work with him only as you give hits with him?
It is not like that at all... in fact I have been very lucky. I have worked with Salman in MAINE PYAR KYUN KIYA again a hit, RACE with Saif Ali Khan, PARTNER with Govinda and APNE with Bobby Deol... and then with Akshay and I have given two big hits...

Your favorite song in SINGH IS KINNG?
I just love the romantic song 'Teri Ore' that was shot in Egypt.... I am wearing Saree in that song for the first time. Aneez ji was so happy to see me in sari. He is traditional by nature and feels that I look best in a sari.

How was the environment on the sets?
Oh! Yes couple of them...you know everyone on the sets had started interacting in Punjabi in between the shots. It was only Aneez ji and me who would not understand the language at all. And both of us would feel so out of their conversation. We would be sitting aside as loners, look at each other and say... 'Nice weather'... (Laughs).It was really funny.
Any incidents you remember?
During our long schedule of shooting Australia we all had put up in a residential building that is world's tallest building. We all decided to climb up the stairs, which would be a substitute to our workouts. I thought I will be able to do that. But then on the very first day I found it so exhausting and I decided not to continue with it. Akshay, Sonu and all actually did that...hats off to them.
You have become a successful actress. Now, do you feel the need to get choosy about the roles you play?
Not at all... I don't think that way. You see with every movie I get to discover myself more as an actress. Like in RACE I realized that I love dancing. My dance in the songs 'Touch me' and 'Khwab Dekhe'...have been appreciated too.
You have been voted as the sexiest woman by Magazine. How do feel about it?
Oh! Please... That is not supposed to be taken seriously. You know they have used a wrong word. I don't consider myself as sexy. Basically, by saying sexy they meant nice, cute, glamorous... anyways these polls are very flattering.
When do we get to see you with Salman again?
We are working together in Subhash ji's film MAIN YUVRAJ... It should release by end of this year or next year.
In a recent interview Salman talked about his relationship with you. When will we get you to speak about it?
I'm not aware about it. And please I don't like to speak about my personal life.
People say that it is because of him that you have reached to such a level in Bollywood?
Well, I really don't care what people say. I know how much one has to put in as hard work in one film. Let them say what they feel. Honestly, God has given me so much, I feel so blessed. I have got so much that I feel very petty to even comment or clarify on such issues.

Crooner On Star Track!

By movietalkies

Asha Bhosle, iconic legend of playback singing, has added a new facet to her repertoire. Bhosle, 77, has nodded assent to 'Maaee', which will illumine her acting debut in a fictional Hindi flick, wherein she shares screen frames with Padmini Kolhapure. Ajit Ramachanddran engages the veteran in a candid chat…





She redefines feisty. Her tinkle bell laughter echoes naughtily in the suburban Mumbai apartment as Asha Bhosle fields queries from the scribe tribe on Mahashivaratri Day (March 2, 2011). And with good reason, that is.

On the auspicious occasion, Asha Bhosle has chosen to spotlight a new aspect in her over crowded cap of credentials. The crooning diva will soon greenlight her debut as an actress with 'Maaee', a fictional Hindi movie centred around a mother daughter relationship with debutant director Mahesh Kodiyal at the helm of affairs.

Slated to roll in April 2011, 'Maaee' co produced by Subhash Dawar and music director Nitin Shankar (Alliance Entertainment and Rhythm D'vine Entertainment Pvt. Ltd.) will be canned entirely in Mumbai.

Excerpts from a chat with the irrepressible Asha…

You've been a successful singer and are now making your acting debut. At an age when most people retire, why did you agree to act in 'Maaee' which is based on the relationship between a mother and daughter? What did you particularly like about the script?
The film's story is lovely. I really liked it. Why am I doing it? Because I've already sung all types of songs in many different languages. I've sung hit songs in languages as difficult as Tamil and Malayalam. Take any other language. Punjabi, Gujarati, Bengali, Hindi, Marathi, I've sung songs in all those languages. I've been doing this for the past 60 to 65 years. I've gone to Russia and sung Russian songs. I've sung Malay songs. You should always want to do something new. These days I'm singing all my old songs for a rock show in which we mix our tunes with English songs. We do it for youngsters. So that's something new. If we do the same thing again and again, sometimes a person gets bored of the monotony. Maybe my wish to do something new because it gives me joy, is the reason behind accepting the film. I've made quite a few appearances of the small screen and come on stage very many times. Now what else is left? The big screen! So I said, 'Let's give this a shot as well.'

Padmini Kolhapure is playing the role of your daughter in the film. Was that a decisive factor in saying 'yes' to the film?
No. First I said 'yes' and then I caught hold of her and asked her if she'd do it.

So were you responsible for getting Padmini into the film…
Padmini is a wonderful artiste and a great actress. Actually, it's difficult for me to stand in front of her, because I'm not an actress. After listening to the story, she immediately agreed to do the film.

What do you feel is the USP of 'Maaee'?
I feel that 'Maaee' is a good film, with a nice moral. I won't say that it is a commercial film, but it is a good film.

The title 'Maaee' makes it sound like it's a Marathi film, but it's actually a Hindi movie. Don't you think people will get confused?
Everyone uses 'maaee', just as everyone uses 'Sai'. We also used to call our mother 'maaee'. This is not a Marathi film, it's in Hindi but the mother is called 'maaee'.

What is your name in the film and are you preparing for the role in any way?
My name is 'Maaee' in the film. That's what the kids call me. I haven't done any preparation for my role, as of now. I'm heading to Australia for a shoot. I'll start shooting for the film once I return.

The film's director, Mahesh Kodiyal is famous for his ad films and this is his first feature film. Didn't you feel like you should have worked with an experienced director instead of a new one in your first film?
I've never thought about it actually. But every man is new in the beginning and becomes old later on. So everyone should get a chance because everyone thinks of doing something better. So Mahesh has the will to move ahead and has got such a big chance so I think he will put his heart and soul into the film.

Your late father Deenanath Mangeshkar has a huge drama hall named after him in suburban Mumbai and a big hospital named after him in Pune. What have you constructed in the name of your real life 'maaee' Suddhmati Mangeshkar?
There is a hospital named after her in Pune. There's a huge one in my father's name and a smaller one in my mother's name. The father's name is always more prominent and this happens everywhere. The children always use their father's name and no one takes the mother's name. Maybe this is just tradition that children adopt their father's name and only dads are praised. Actually it's the mother who brings up the children and endures hardships for them. But no one gives her so much credit.

What's your take about the negligence that many old parents are being subjected to nowadays?
These days people don't care about their parents and don't look after them in their old age. But in our family, it was the other way around. We took such good care of our mother. We stayed together in Peddar Road. We treated her like a queen right till the very end. If she wanted something, no one dared to say no to her or disobey her. 'Didi' (Lata Mangeshkar) had grown up, so had all of us. We were in our 60s and she was also past 90. I feel that we took good care of her. Our father passed away early. 'Didi' always tried to keep his memory alive and our entire family supported her. Everyone was there for mother also right till the end. Very rarely do you see such a thing. These days, when the mother gets old, no one takes care of her, whether it's because of the daughter in law or any other reason. Even if the mother is slightly short tempered, it is our duty to bear with her. And that we have forgotten today.

Which songs have you sung in 'Maaee' and what is special about the music?
There's one song that has been recorded that I will be singing in the film also.

'Maaee' is going to be shot in Mumbai and will start in April 2011. So was this one of your conditions, that it be shot in Mumbai?
I hadn't said anything like that. I'd just said that it'll be good to shoot in Mumbai since my home is here. It's good to be in one's own city. And the film also demands that we capture this city's essence. But I had not laid down any such conditions.

An interview with Aamir Khan

By glamsham Pankaj Sabnani, Glamsham Editorial

With a fit body and charming personality, Aamir Khan can easily trick you to believe that he is in his 30s. But that's not really true as Aamir is celebrating his 46th birthday today. Catch him in a candid chat as he mulls over the year gone bye and what lies ahead.
How do you plan to celebrate your special day?
I'm busy shooting for my next suspense film (directed by Reema Kagti). Luckily it was an off today. So, I will spend my day with my ammi, kids, Kiran and other family members. I love spending time with them.
What has been your biggest achievement till date?
My biggest achievement is the love and respect that I have got from people. It is very difficult to achieve that. My family, who is very near to me, is also my achievement.
You are on the wrong side of 40s now. Does that scare you?
No, it doesn't. I don't think of it really. I'm quite happy with the kind of success I have got with age. With the passing of years I have had a lot of good things happen to me. I've had many amazing experiences. At this point of time, professionally, I'm at the peak of my career. Personally also, I'm very happy with the kind of things that are happening around me and my family. I'm happy that I'm doing well.

You have achieved many milestones in your career. Is there anything that you still want to achieve?
I am grateful to God for giving me so much. People have given me their love and blessings. I'm very happy. If you see, there's no end to our wants. I believe that whatever we get in life, we should be satisfied with that.
Who was the first person to wish you?
Kiran was the first to wish me. I was shooting at Mehboob Studious yesterday. I left Mehboob Studio to be at home before 12 a.m. and she left home to meet me there. So she had to rush back home. Kiran and Junaid came together to wish me.
You are happily married at 46. Is there anyone in Bollywood whom you would like to get married?
I'm waiting for Salman to get married. I think everyone is. The day he gets married, it will be very special day for all of us. He has many beautiful girls roaming around him. He has many choices.
Last year, you had made certain promises to yourself. Have you been able to keep them?
I wanted to learn Marathi last year, which I started to learn. Then, I wanted to spend more time with ammi, which I did. She's living in Mumbai since the past month and is living in my same building. Kiran and I have been staying in her flat. I even started learning swimming which I wanted to. I wanted to learn cooking, but haven't been able to do so yet.
Looking at the year gone bye, you produced two films with female directors - Anusha Rizvi (PEEPLI [LIVE]) and Kiran Rao (DHOBI GHAT). Was it a conscious decision?
I'm very happy that as a producer I supported good talents. Anusha and Kiran are very talented directors. Even my next film is being directed by Reema Kagti, who's a woman. All through the years we have mainly seen films which have been directed by men. We have only seen men's take on emotions and relations. Now, we are seeing women directors and their perspective. I'm very happy to support women directors.
You are sporting a moustache. Tell us something about your current look.
This look is of the character that I'm playing in Reema Kagti's film. His name is Surjan Singh Shekhawat.
What's the status of your next production, DELHI BELLY?
DELHI BELLY is ready and its promotional activity will begin soon. The film has shaped up pretty well. We have made what we intended to. Abhinay Deo, who is the director, has done a fantastic job. All the artists have worked well. Akshat has written a very good script. It's a comedy and we are targeting the youth of the country. It will release on 1st July.

Masti Express Review: falls short of expectations

Now here's yet another film that places its story on Rajpal Yadav's shoulders. This time, Rajpal has Johny Lever for company. Masti Express, helmed by first-time director Vikram Pradhan, has two stories running concurrently: Rajpal and his wife Divya Dutta's fervent desire to have their kid educated at a respectable institution and the auto rickshaw race that forms the crux of the story.

Quite an interesting idea, I must add, but interesting ideas don't necessarily translate into fascinating cinematic experiences. The problem is, Masti Express appeals in parts, not in its entirety. At places, the film is engaging, but there are times when it comes across as a yawn-inducing attempt. The screenplay writing is clearly the culprit here!

Masti Express tells the story of a father [Rajpal Yadav], who desperately tries to get his only child admitted to a renowned school and provide him education. His son is just another brat in a slum with an uninspiring future. The son is refused admission initially, but later, when the father faces a lot of obstacles and wins an auto rickshaw race with the help of the school kids, the Principal [Manoj Joshi] opens the doors of his school to the kid.

The director tries to pack just about everything to make the film palatable to the junta janardhan. He decides to pander to the commercial diktats by injecting songs on guest stars [filmed on Shankar Mahadevan and Kashmira Shah, respectively] and also instill comedy in the narrative. Sadly, one doesn't laugh at the jokes [which are crass anyways], the songs too act as speed breakers, while the kiddie portions are half-baked. Ideally, the director could've avoided the unwanted add-ons [including the characters that suddenly arrive from other states to participate in the race] and the editor should've trimmed the film judiciously for a better impact.

On the brighter side, Pradhan has handled a few sequences expertly. Note the sequence when Rajpal cooks an alibi as soon as Divya Dutta enquires whether their kid has been granted admission in the school or not. Prior to that Rajpal's sequence with the School Principal [Manoj Joshi] also stands out. Also, note the sequence when Divya tries to pacify a heart-broken Rajpal after the auto rickshaw accident. Besides, the finale, when Rajpal actually pulls the auto rickshaw to the winning post, moves you. The auto rickshaw race is interesting in parts, while the attempt to inject humor during the race falls flat.

Like I pointed out earlier, the songs don't help in carrying the film forward, except for one song when the auto rickshaw is being repaired. However, the background score is effective, especially towards the finale. The cinematography is inconsistent.

Given the fact that the story of Masti Express rests on his shoulders, one expects Rajpal to deliver a stunning performance, but he doesn't. He is decent at best and there are times when one feels that he's hamming big time. Johny Lever is loud, but that's how his character is perceived. Divya Dutta stands out with a striking performance. Vijay Patkar is just right, Razzaq Khan gets to deliver some funny lines, while Rajkumar Kanojia is passable. Manoj Joshi is strictly okay. Ryan Pinto has screen presence and also has the trappings of a fine actor, provided he gets the right parts to portray.

On the whole, Masti Express falls short of expectations. Besides, the film has arrived with zilch hype and that will make the effort go disregarded.

Source:- oneindia.in